Showing posts with label Theodist. Show all posts
Showing posts with label Theodist. Show all posts

Monday, 14 November 2016

Painting and Mont Marte Watercolor Paints Review

Painting is an extension of drawing. It adds life to a pencil sketch or an inked art. While almost all of us have started as children who can doodle vivid images straight away from our little visual imagery with just about anything in hand, not all will grow up as descendants of Picasso or Da Vinci.

Perhaps as we grow older, our fondness for art subsides to a cryogenically preserved state due to intervening circumstances. The quest for getting good grades, house chores, new found friendship or even having unsupportive parents are just some of the things that may get in the way.

But why revive a hibernating fascination to art, you say?

Well, uhm, according to some scientific studies, getting oneself immersed in some artistic undertakings can have a positive effect to our brain and to our well-being. Sketching, for instance, increases our creativity and improves motor skills.

Painting, on the other hand, can have more beneficial impacts than drawing alone. According to Fox Hill Residences, painting could improve the overall quality of life. The following are six great benefits of painting that promotes mental health and life in general:

·         Fosters creative growth.
·         Strengthens memory.
·         Builds Problem-Solving and Motor Skills
·         Offers Stress Relief
·         Promotes Optimistic Attitude.
·         Nurtures Emotional Growth.

I guess I was in the right direction when, in the latter months of 2014, I began to scale down on other stressful activities and chose to resuscitate the dying artistic side of me.

Having said too much about painting, I feel a bit guilty for blowing up the introduction. Hence, let’s move on to our simple review of the Mont Marte Paints in 12 tubes.


Pinoy in Papua New Guinea by Glen Villar
Here are my Mont Marte watercolor brushes that I bought from Theodist. As opposed to acrylic or oil brushes, these have soft bristles. I originally did not know that watercolor needs particular brushes, until I noticed that I had been damaging papers from using the wrong brush. 

There are four ingredients to a good watercolor painting: perseverance, the quality of paints, the strength of paper and the right set of brushes.  If you have any of these, consider yourself lucky. 


Pinoy in Papua New Guinea by Glen Villar
Just recently, I discovered these two items at Theodist. I’m not sure why other stationery shops here in Papua New Guinea do not bother selling quality art materials like these, but I’m thankful that Theodist does.

The Mont Marte Watercolour Pad, in A4 size, is a 300-gsm cold press paper. It’s thicker than the average photocopy paper and is textured. The Mont Marte Watercolour paints come in 12 tubes filled with richly pigmented colors.


Pinoy in Papua New Guinea by Glen Villar
That is a good addition to my Mont Marte Two Seasons watercolors, which has 18 tubes of more subtle colors. I have a similar post about the Two Seasons which you can read on this link.


Pinoy in Papua New Guinea by Glen Villar
Here’s my sketch on the Mont Marte Watercolour paper for this painting. After some experimenting, I have established four types of pencil sketches for different media. For anime-inspired sketch, pencil sketch is more sharper. For charcoal portrait, it needs to be firm but subtle. For color pencil, the sketch should be almost invisible and for watercolour, the lines have to be sharp and the shades sketched roughly or a little bluntly.

The model that I’m about to paint is of someone that I browsed from Google by typing “Beautiful Face” on the search bar. It’s funny that when I browse this again, her photo doesn’t show up in the list anymore.

I hope she doesn’t get on me if she finds out that I made a watercolor portrait of her.


Pinoy in Papua New Guinea by Glen Villar
Here’s the sketch taped on the board. The board is just the backboard of an ordinary A4 photo frame. I’m using a masking tape to stretch the paper on the board. The paper usually warps when applied on with too much water. This technique, somehow, reduces that effect.


Pinoy in Papua New Guinea by Glen Villar
I love to use the medium-sized brush in the beginning. I usually start with applying transparent colors on areas that I expect to have darker shades.


Here’s the final product of using Mont Marte Watercolour Paints and Mont Marte Two Seasons Watercolour. Both watercolors complement each other very well and adheres nicely on the Mont Marte Watercolour paper.

Monday, 3 October 2016

Mont Marte Two Seasons Watercolor

Two years ago, I posted on my Facebook page that I would not be painting portraits anytime soon. This is because during that time, my accompanying art skills were on par with that of a Kindergarten learning to draw. My favourite tool back then was a mechanical pencil, which was a gift from my friend, Ali, who came to work for our branch in Daru. Nowadays, I believe that my art skill is still around the Kindergarten level, but with a slightly pronounced improvement. I have also welcomed the opportunity to try out other art mediums, like the watercolor in particular.


This is the Two Seasons watercolor from Mont Marte, which I bought for K30+ kina from Theodist. The paints come in tubes that look pretty durable. Cheaper watercolor brands in tubes are often plaqued by unnecessary problems like a leak from the bottom and breakage along the lines near the cap. But with Two Seasons, you can get your money’s worth and you couldn’t be happier.



Here’s a pencil sketch that I drew for this blog entry. Most of the art pieces that belong to a watercolor artist begin from a simple pencil sketch.  I drew mine with less shade and a little subtle so the lines wouldn’t show up too much in the end product.


I have a well lit custom-made drawing table where I carry out my sketching. However, it doesn’t have enough space to accommodate all these panting tools so I had to clear up the things on my laptop table and did the setup there.


This brush holder is the latest addition to my painting tools. The price is around K9+ from Theodist. Those watercolor brushes are new ones too. My first impression of brushes is that all brushes are the same and are all suitable for water-based paints. My updated realization is that not all brushes are cut out for watercolor painting. There are brushes that look subtle in appearance, but can become a threat to the paper in an instance so it is always a good thing to check the labels before making the purchase.

These brushes have a “watercolor” label on the package.


I’m very new to watercolor painting. Having said that, I guess I am allowed to use a “scratch pad” for testing the intensity of paints before I actually apply them on the drawing. One surprising advantage of watercolor painting is that you can easily dismiss a mistake for style.


As the scratch pad is filled up with psychedelic swatches of paints, the art piece itself is slowly taking form. The pencil strokes becomes less visible and the once two-dimensional drawing becomes a bit alive from the constant application of shades.


Here’s the end product. Overall, I have spent roughly thirty minutes for the pencil sketch and some two hours for the application of watercolor paints.

Happy painting everyone! 


Thursday, 15 September 2016

Review of Mont Marte Products and Panda Watercolor

It’s not always that I get to see myself sitting down in front of my laptop and thinking of how I should begin my review for a newly acquired sets of art tools. After a few sips from a cup of an already cold Lipton tea, I am feeling more relaxed and sleepy and the prospect of coming up with a catchy introduction is slowly slipping away from me.


Luckily, the presence of a few *kamikaze mosquitoes is keeping me awake.

*Kamikaze mosquitoes - Mosquitoes that bite and die after a good slapping.
Last week when I went to Theodist here in Port Moresby, I saw this product sitting on a shelf along with other products that belong to the same category. I originally thought of this as some kind of unnecessary invention. With the help of a little creativity, I might be able to build a similar DIY brush washer made of, uhm, an empty bowl and a few clothes peg.

I think that should be easy.


But not quite so. This brush washer from Mont Marte is not as simple as it looks. We can see in the middle that it has a screen mesh with a holder. I suppose that this is to filter out sediments and keep them in the bottom of the container once you scrape off your brush on it.



There’s a spring coil at the top. Its purpose is to hold different sizes of brush handles and it can really hold any size. Brushes with a really thin handle can also fit in if you try and place it at a correct angle (slightly angled to follow the spring direction). 

Oh yes, the whole thing is made of stainless steel. I shouldn't be worrying about corrosion any time soon.



Another nice art tool that I’ve picked up from Theodist is this set of Mont Marte Calligraphy Brush. In some Japanese or Chinese movies that I've watched before, I remember to have seen a scene of someone painting Chinese fonts on more than one occasion. These brushes are very similar to what were used in those movies. If there's one peculiarity that makes this brush stand out from the rest, it would be its ideal shape that allows for a dynamic and round stroke.This is probably the reason why it is also being referred to as "Chinese brush."

The box is elegantly styled with silk cover to present itself with a classy look.



There are 8 different sizes of brushes with holes to which those two handles can be screwed.  I bought this for the purpose of learning how to paint with watercolours. Two years ago, I indulged myself in art and started teaching myself how to draw anime-inspired portraits with pencils which had later progressed to learning how to do colour pencil portraits. After getting the hang of it, I thought that maybe I should also learn watercolour painting.

And viola, here’s a noob “me” buying these brushes.



These brushes go well together with the brush holder/washer. As you can see on the right side, there’s also a thin brush that I intend to use for painting small details. All these brushes are unused yet at the time of this shot.



The spring on top is designed with having two things in mind: to keep the brush tip in the water and to keep it off the water to dry. I like that with this, I can easily transition between the two options. I prefer to do the latter after cleaning the brushes and leave them suspended there for the next use. When the brush is dangling by the spring, the water droplet forming down on its tip is also helping it to retain its pointy shape.

We can think of this picture as a stalactite hanging in a cave. They occurred with pointed tips due to the precipitation of minerals caused by water dripping through the cave ceiling. This action is responsible for shaping stalactites and stalagmites over time.



Here’s a Panda watercolour brand. I bought this from Tango Department Store. Judging from its very affordable price, this brand is meant for student use I guess.  

Luckily, I consider myself as a wishful watercolour art student and this is just enough for me.



This particular watercolour brand is surprisingly easy to mix and use. The colours dissolve well in water and like how any other watercolour should behave when diluted, the intensity of colour is affected by how much water droplets you apply on it. You can see in these two plastic palettes how I have come up with new colours from combining stock colours.



And here’s what I came up with from using these three different art tools. Why bird, you ask? It’s because this is what I think, one of the easiest thing to paint. I have once shown my first watercolour landscape painting to a professional painter. Although I know that it wasn’t a good one, he pointed out my flaws in a suggestive but polite way. He told me to paint small or still objects first. That way, he said that I could slowly but progressively learn how to see and render things effectively. He also said that each object could possess a hundred colour and I must first learn how to compose shadows. 

 Pretty good suggestions, I must say.




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